Svidrigailov informed her at once that he was obliged by very important affairs to leave Petersburg for a time, and therefore brought her fifteen thousand roubles and begged her accept them as a present from him, as he had long been intending to make her this trifling present before their wedding. The logical connection of the present with his immediate departure and the absolute necessity of visiting them for that purpose in pouring rain at midnight was not made clear. But it all went off very well; even the inevitable ejaculations of wonder and regret, the inevitable questions were extraordinarily few and restrained. On the other hand, the gratitude expressed was most glowing and was reinforced by tears from the most sensible of mothers. Svidrigailov got up, laughed, kissed his betrothed, patted her cheek, declared he would soon come back, and noticing in her eyes, together with childish curiosity, a sort of earnest dumb inquiry, reflected and kissed her again, though he felt sincere anger inwardly at the thought that his present would be immediately locked up in the keeping of the most sensible of mothers. He went away, leaving them all in a state of extraordinary excitement, but the tender mamma, speaking quietly in a half whisper, settled some of the most important of their doubts, concluding that Svidrigailov was a great man, a man of great affairs and connections and of great wealth– there was no knowing what he had in his mind. He would start off on a journey and give away money just as the fancy took him, so that there was nothing surprising about it. Of course it was strange that he was wet through, but Englishmen, for instance, are even more eccentric, and all these people of high society didn't think of what was said of them and didn't stand on ceremony. Possibly, indeed, he came like that on purpose to show that he was not afraid of any one. Above all, not a word should be said about it, for God knows what might come of it, and the money must be locked up, and it was most fortunate that Fedosya, the cook, had not left the kitchen. And above all not a word must be said to that old cat, Madame Resslich, and so on and so on. They sat up whispering till two o'clock, but the girl went to bed much earlier, amazed and rather sorrowful.

Svidrigailov meanwhile, exactly at midnight, crossed the bridge on the way back to the mainland. The rain had ceased and there was a roaring wind. He began shivering, and for one moment he gazed at the black waters of the Little Neva with a look of special interest, even inquiry. But he soon felt it very cold, standing by the water; he turned and went towards Y. Prospect. He walked along that endless street for a long time, almost half an hour, more than once stumbling in the dark on the wooden pavement, but continually looking for something on the right side of the street. He had noticed passing through this street lately that there was a hotel somewhere towards the end, built of wood, but fairly large. and its name he remembered was something like Adrianople. He was not mistaken: the hotel was so conspicuous in that God-forsaken place that he could not fail to see it even in the dark. It was a long, blackened wooden building, and in spite of the late hour there were lights in the windows and signs of life within. He went in and asked a ragged fellow who met him in the corridor for a room. The latter, scanning Svidrigailov, pulled himself together and led him at once to a close and tiny room in the distance, at the end of the corridor, under the stairs. There was no other, all were occupied. The ragged fellow looked inquiringly.

"Is there tea?" asked Svidrigailov.

"Yes, sir."

"What else is there?"

"Veal, vodka, savouries."

"Bring me tea and veal."

"And you want nothing else?" he asked with apparent surprise.

"Nothing, nothing."

The ragged man went away, completely disillusioned.

"It must be a nice place," thought Svidrigailov. "How was it I didn't know it? I expect I look as if I came from a cafe chantant and have had some adventure on the way. It would be interesting to know who stayed here."

He lighted the candle and looked at the room more carefully. It was a room so low-pitched that Svidrigailov could not only just stand up in it; it had one window; the bed, which was very dirty, and the plain stained chair and table almost filled it up. The walls looked as though they were made of planks, covered with shabby paper, so torn and dusty that the pattern was indistinguishable, though the general colour– yellow– could still be made out. One of the walls was cut short by the sloping ceiling, though the room was not an attic, but just under the stairs.

Svidrigailov set down the candle, sat down on the bed and sank into thought. But a strange persistent murmur which sometimes rose to a shout in the next room attracted his attention. The murmur had not ceased from the moment he entered the room. He listened: some one was upbraiding and almost tearfully scolding, but he heard only one voice.

Svidrigailov got up, shaded the light with his hand and at once he saw light through a crack in the wall; he went up and peeped through. The room, which was somewhat larger than his, had two occupants. One of them, a very curly-headed man with a red inflamed face, was standing in the pose of an orator, without his coat, with his legs wide apart to preserve his balance, and smiting himself on the breast. He reproached the other with being a beggar, with having no standing whatever. He declared that he had taken the other out of the gutter and he could turn him out when he liked, and that only the finger of Providence sees it all. The object of his reproaches was sitting in a chair, and had the air of a man who wants dreadfully to sneeze, but can't. He sometimes turned sheepish and befogged eyes on the speaker, but obviously had not the slightest idea what he was talking about and scarcely heard it. A candle was burning down on the table; there were wine glasses, a nearly empty bottle of vodka, bread and cucumber, and glasses with the dregs of stale tea. After gazing attentively at this, Svidrigailov turned away indifferently and sat down on the bed.

The ragged attendant, returning with the tea, could not resist asking him again whether he didn't want anything more, and again receiving a negative reply, finally withdrew. Svidrigailov made haste to drink a glass of tea to warm himself, but could not eat anything. He began to feel feverish. He took off his coat and, wrapping himself in the blanket, lay down on the bed. He was annoyed. "It would have been better to be well for the occasion," he thought with a smile. The room was close, the candle burnt dimly, the wind was roaring outside, he heard a mouse scratching in the corner and the room smelt of mice and of leather. He lay in a sort of reverie: one thought followed another. He felt a longing to fix his imagination on something. "It must be a garden under the window," he thought. "There's a sound of trees. How I dislike the sound of trees on a stormy night, in the dark! They give one a horrid feeling." He remembered how he had disliked it when he passed Petrovsky Park just now. This reminded him of the bridge over the Little Neva and he felt cold again as he had when standing there. "I never have liked water," he thought, "even in a landscape," and he suddenly smiled again at a strange idea: "Surely now all these questions of taste and comfort ought not to matter, but I've become more particular, like an animal that picks out a special place… for such an occasion. I ought to have gone into the Petrovsky Park! I suppose it seemed dark, cold, ha-ha! As though I were seeking pleasant sensations!… By the way, why haven't I put out the candle?" he blew it out. "They've gone to bed next door," he thought, not seeing the light at the crack. "Well, now, Marfa Petrovna, now is the time for you to turn up; it's dark, and the very time and place for you. But now you won't come!"

He suddenly recalled how, an hour before carrying out his design on Dounia, he had recommended Raskolnikov to trust her to Razumihin's keeping. "I suppose I really did say it, as Raskolnikov guessed, to tease myself. But what a rogue that Raskolnikov is! He's gone through a good deal. He may be a successful rogue in time when he's got over his nonsense. But now he's too eager for life. These young men are contemptible on that point. But, hang the fellow! Let him please himself, it's nothing to do with me."

He could not get to sleep. By degrees Dounia's image rose before him, and a shudder ran over him. "No, I must give up all that now," he thought, rousing himself. "I must think of something else. It's queer and funny. I never had a great hatred for any one, I never particularly desired to revenge myself even, and that's a bad sign, a bad sign, a bad sign. I never liked quarrelling either, and never lost my temper– that's a bad sign too. And the promises I made her just now, too– Damnation! But– who knows?– perhaps she would have made a new man of me somehow…."

He ground his teeth and sank into silence again. Again Dounia's image rose before him, just as she was when, after shooting the first time, she had lowered the revolver in terror and gazed blankly at him, so that he might have seized her twice over and she would not have lifted a hand to defend herself if he had not reminded her. He recalled how at that instant he felt almost sorry for her, how he had felt a pang at his heart…

"Aie! Damnation, these thoughts again! I must put it away!"

He was dozing off; the feverish shiver had ceased, when suddenly something seemed to run over his arm and leg under the bedclothes. He started. "Ugh! hang it! I believe it's a mouse," he thought, "that's the veal I left on the table." He felt fearfully disinclined to pull off the blanket, get up, get cold, but all at once something unpleasant ran over his leg again. He pulled off the blanket and lighted the candle. Shaking with feverish chill he bent down to examine the bed: there was nothing. He shook the blanket and suddenly a mouse jumped out on the sheet. He tried to catch it, but the mouse ran to and fro in zigzags without leaving the bed, slipped between his fingers, ran over his hand and suddenly darted under the pillow. He threw down the pillow, but in one instant felt something leap on his chest and dart over his body and down his back under his shirt. He trembled nervously and woke up.

The room was dark. He was lying on the bed and wrapped up in the blanket as before. The wind was howling under the window. "How disgusting," he thought with annoyance.

He got up and sat on the edge of the bedstead with his back to the window. "It's better not to sleep at all," he decided. There was a cold damp draught from the window, however; without getting up he drew the blanket over him and wrapped himself in it. He was not thinking of anything and did not want to think. But one image rose after another, incoherent scraps of thought without beginning or end passed through his mind. He sank into drowsiness. Perhaps the cold, or the dampness, or the dark, or the wind that howled under the window and tossed the trees roused a sort of persistent craving for the fantastic. He kept dwelling on images of flowers, he fancied a charming flower garden, a bright, warm, almost hot day, a holiday– Trinity day. A fine, sumptuous country cottage in the English taste overgrown with fragrant flowers, with flower beds going round the house; the porch, wreathed in climbers, was surrounded with beds of roses. A light, cool staircase, carpeted with rich rugs, was decorated with rare plants in china pots. He noticed particularly in the windows nosegays of tender, white, heavily fragrant narcissus bending over their bright, green, thick long stalks. He was reluctant to move away from them, but he went up the stairs and came into a large, high drawing-room and again everywhere– at the windows, the doors on to the balcony, and on the balcony itself– were flowers. The floors were strewn with freshly-cut fragrant hay, the windows were open, a fresh, cool, light air came into the room. The birds were chirruping under the window, and in the middle of the room, on a table covered with a white satin shroud, stood a coffin. The coffin was covered with white silk and edged with a thick white frill; wreaths of flowers surrounded it on all sides. Among the flowers lay a girl in a white muslin dress, with her arms crossed and pressed on her bosom, as though carved out of marble. But her loose fair hair was wet; there was a wreath of roses on her head. The stern and already rigid profile of her face looked as though chiselled of marble too, and the smile on her pale lips was full of an immense unchildish misery and sorrowful appeal. Svidrigailov knew that girl; there was no holy image, no burning candle beside the coffin; no sound of prayers: the girl had drowned herself. She was only fourteen, but her heart was broken. And she had destroyed herself, crushed by an insult that had appalled and amazed that childish soul, had smirched that angel purity with unmerited disgrace and torn from her a last scream of despair, unheeded and brutally disregarded, on a dark night in the cold and wet while the wind howled….

Svidrigailov came to himself, got up from the bed and went to the window. He felt for the latch and opened it. The wind lashed furiously into the little room and stung his face and his chest, only covered with his shirt, as though with frost. Under the window there must have been something like a garden, and apparently a pleasure garden. There, too, probably there were tea tables and singing in the daytime. Now drops of rain flew in at the window from the trees and bushes; it was dark as in a cellar, so that he could only just make out some dark blurs of objects. Svidrigailov, bending down with elbows on the window-sill, gazed for five minutes into the darkness; the boom of a cannon, followed by a second one, resounded in the darkness of the night. "Ah, the signal! The river is overflowing," he thought. "By morning it will be swirling down the street in the lower parts, flooding the basements and cellars. The cellar rats will swim out, and men will curse in the rain and wind as they drag their rubbish to their upper storeys. What time is it now?" And he had hardly thought it when, somewhere near, a clock on the wall, ticking away hurriedly, struck three.

Title: Crime and Punishment
Author: Fyodor Dostoevsky
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